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备注：已完结
类型：电视剧
主演：克里斯塔·科索恩 Peter Gantman Mohammed Nou
导演：彼得·格隆伦
语言：瑞典语
年代：未知
简介：当少年塞拉斯被发现死于比耶雷半岛的一处农舍后，性格古怪、脾气暴躁却又才智过人的调查员丹妮（克里斯塔·科索恩饰）与刚毕业的同事马利克（穆罕默德·努尔·奥克拉 饰）联手展开调查。调查将丹妮和马利克引向斯科讷乡间一个带有强烈父权色彩的黑暗角落，他们很快卷入一个延续数代的家族纷争。丹妮与死者塞拉斯有着某种私人联系，因此她被深深地卷入了调查以及围绕着这些家族展开的纷争之中。家族族长伊利斯（彼得·考夫曼 饰）给丹妮下了最后通牒，要求她破案，否则他将亲自出手干预家族事务。
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备注：已完结
类型：电影
主演：布瑞亚·格兰特 Dhruv Uday Singh 利斯·M·伯克 Hu
语言：
年代：未知
简介：Asuburbanwomanfightstobebelievedasshefindsherselfstalkedbyathreateningfigurewhoreturnstoherhousenightafternight.Whenshecan’tgethelpfromthosearoundher,sheisforcedtotakemattersintoherownhands.
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备注：已完结
类型：电影
主演：冯达·埃尔伊义特 埃杰·亚萨尔 埃尔登姆·塞诺卡克 Serkan Er
导演：Dogus Algün
语言：土耳其语 / 法语
年代：未知
简介：Nimet who can not have children, is constantly under the social pressure of not being able to start a family and thus feels incomplete as a woman. Furthermore, upon learning that her beloved younger sister Öznur is fertile, she starts developing envious t
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备注：已完结
类型：电视剧
主演：乔治娜·芜班 Zineb Fallouk 艾哈迈德·阿卡比 Khali
导演：未知
语言：荷兰语
年代：未知
简介：诺丁·基纳尼在教导贫困学生时遭遇重重挑战：既要应对叛逆少年，又要周旋腐败体制，还得化解自我膨胀——他在这方小小讲台竟成了斗智斗勇的大舞台，偏要在这混沌中撞出点响动……
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备注：已完结
类型：电影
主演：Birte Schnöink 埃尔希·德·布劳 Christian L
导演：杰西卡·克鲁马赫
语言：德语
年代：未知
简介： When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots. Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.
